Award-winning gospel singer Ada Ehi has opened up about her music journey, early influences, challenges in the Nigerian music industry, and her unwavering faith in a wide-ranging conversation with Naomi Chima.
Ada, who began singing as a child backup vocalist for former child star Tosin Jegede, said her exposure to music in church laid the foundation for her career. “The church was very keen on music… They found out I could sing—not necessarily better than others—but I had a lively personality,” she recounted, adding that watching industry greats like Onyeka Onwenu and Sunny Okosuns further opened her eyes to the music world.
Starting her professional journey in 2009 came with its own set of challenges, including industry expectations and piracy. “Back then, the Alaba marketers had a specific idea of what commercial music should sound like. My songs didn’t fit that mould,” she said. Ada stressed that her decision to remain authentic was pivotal in overcoming the pressure to conform. “I made up my mind to be content with however far I could go.”
Despite studying Chemical and Polymer Engineering, her passion for music never faded. She credited a deal with her parents—to finish school before pursuing music—as motivation to balance academics and her musical ambitions. “Balancing engineering and music wasn’t easy… but my desire to dive into music helped me push through,” she explained.
Her journey with the Christ Embassy Choir and subsequent signing with their music label played a significant role in her growth. It offered her a platform to not only sing but also develop others. “Being part of the choir and the record label was a formative experience for my music and ministry.”
Ada spoke fondly of her support system, particularly her husband, whom she described as her greatest pillar. “He is a gift—not just in terms of supporting my music, but in understanding my vision,” she said. Family and close friends also help her manage the pressures of being a public figure.
When asked about recognition for gospel artistes compared to their afrobeats counterparts, Ada emphasized that gospel music is a ministry, not a competition. “Recognition is a bonus, not our goal… The real reward is the impact on lives.”
Her creative process is rooted in spirituality and personal experiences. Songs come to her through dreams, deep reflections, and even moments of crisis. “These songs often reflect my personal experiences and spiritual exercises,” she said, noting how her faith and environment inspire her to write music that uplifts and heals.
On how she relaxes, Ada said spending time with her family helps her unwind. “My schedule is tight, but I cherish those moments with my husband and daughter.”
She also addressed the state of the nation, rejecting the notion that Nigeria’s struggles are purely divine punishment. “If people genuinely loved Nigeria, they wouldn’t hoard resources while others suffer,” she said, adding that the church and gospel musicians must promote unity, awareness, and spiritual awakening.
While she supports the right to protest peacefully, she emphasized the need to avoid ethnic and cultural divisions. “Citizens should speak up, but lasting solutions come from God,” she advised.
Asked about disunity among gospel artistes, Ada refrained from taking sides but urged for understanding and grace. “We’re all God’s people. Some things are blown out of proportion online.”
Reflecting on her spiritual foundation, she declared, “I’m a Christian first, then a messenger. The deeper my walk with God, the better I can represent Him.”
Ada concluded by expressing gratitude for her journey so far. “I have no regrets. I trust that the good work God began, He will continue to perfect.”
